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The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。居住在镰仓的大学教授曾宫周吉早年丧偶，他与女儿纪子相依为命。纪子从小担负起家庭的重担，悉心照顾父亲的生活起居。转眼间，纪子已二十七岁，依旧待字闺中。纪子的姑姑和朋友都很关心她的婚事，然而她却因为对父亲的依恋，不愿谈婚论嫁。不久姑姑为周吉介绍一名独身女子三轮秋子，周吉欣然同意。得知此事的纪子心中感到无限的怅然。。摘自: 1962年4月16日，沃尔特·克朗凯特接替爱德华兹，广播节目更名为《沃尔特·克朗凯特新闻》。 1963年9月2日，该新闻广播更名为《哥伦比亚广播公司晚间新闻》，成为网络电视上第一个半小时的周末新闻广播，并移至东部时间下午6:30 。 哥伦比亚广播公司晚间新闻于1965年8月19日首次以彩色形式播出一晚测试广播，然后于1966年1月31日永久转换为该格式。 克朗凯特的黄金时段特别报道，谁，什么， 1968年2月27日播出的《何时、何地、为何》以他的声明结束，美国只能希望在越南陷入僵局。林登·约翰逊 (Lyndon Johnson ) 退出总统竞选的决定常常被认为是受到了这一影响。 “如果我失去了沃尔特·克朗凯...。